Leporello Swanson takes one look at the cloned digital neurometer that Samuel is showing Milton Ridley and lets out a piercing shriek. When Samuel tells him that Kolya made it with his technical lego Leporello is amazed, not because it proves that Kolya is an infant genius, but because it is the key instrument that will prove his theory of sustainable management of Eduard Čech’s cohomology within the new paradign of Hyoaxic spatial music. He begs to discuss it with the child, but Samuel is unwilling. He is worried that too much attention will go to the boy’s head. He suggests that Lepo pens a few questions which Samuel will put to Kolya as he is eating his marmite soldiers.
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